FINAL SCRIPT DRAFT - EVERYONE PLEASE ADD TO THIS

'63

FINAL SCRIPT

ROLAND ROBERTS - LOUIS PIPER

BONNIE WILLIS - KIERA TOLHURST

MARK HANSEN - THEO CLARKE

CHARLIE SOMERVILLE - JAKE BARKER

LEIGHTON WALKER - TYLER BEEVER

SCENE ONE: OPENING SEQUENCE
Characters are introduced as they get ready to leave the house for the day. "Here Comes the Sun" by 'The Beatles' plays. Characters are stood in different positions across the stage, each space representing their household/current surroundings. Characters play a short snippet of physical movements/gestures/interactions showing how they get ready to leave their house for the day ahead.

TRANSITION SCENE

Characters move across the stage in different directions to reach a different space on the stage. This represents a transition to a new surrounding/environment. When in position, characters play the role of being in their workplace, which introduces ideas about the type of person they are. All characters overlap each other's sentences to show a busy lifestyle for all - short snippets from the day are shown. 

CHARLIE: (in the steelworks) Hey Joe get over here! (whacking hammer) (other actions to show he is working)

BONNIE: (in the cardboard box factory) Morning sir! (looks at watch) I'm not that late am I! (sits down, begins to package boxes etc)  Oi, Georgey! When can I have my lunch break? (messes with nails, whistles, hums, acts disinterested in her workplace) 

ROLAND: (in his shop) Morning Leighton, looks like we've had a delivery. Can you just - Ah! Another day begins. Morning Sir, how can I help you?

LEIGHTON: (in Roland's shop) I'll start stocking it for you now. (Leighton exits to back of shop)

MARK: (walks across to the stage to reach the bus stop, in an important and slightly more dignified way - showing he is more upper class than the others) 

BLACKOUT

VIDEO PLAYS. 
This video includes real life photos, videos, and music from the 1960s to set the time era of the production and create a more vivid engagement between audience and characters as it enhances the realism of the piece. 

SCENE TWO: SHOP SCENE 1 
Introduction to some of the characters on the street. Introduction to the relationship between Roland and  Bonnie, Bonnie and Leighton, Roland  and Leighton and Charlie's reserved nature. 

BONNIE: (walks in confidently, smiling cheekily) Afternoon Roland my love!

ROLAND: Ah Bonnie! It's nice to see you! Hard day at work?

BONNIE: As always! In fact, I've just come to treat myself after a long day. I'll have my usual packet of cigarettes. (points at cigarettes on shelves) 

ROLAND: Cigarettes! (looks surprised) You know young girls like you shouldn't be smoking (Bonnie sighs and rolls her eyes as Roland wags his finger at her) and cigarettes should not be a treat - you should be treating yourself to lollipops and flicking through magazines at your age! 

BONNIE: (rolls eyes again) I am 16 Roland, I think I'm perfectly old enough to smoke the odd cigarette. ut..... I guess if you're offering I'll take one of those lollipops as well.

ROLAND: (chuckles slightly, shakes head) Will you now?

BONNIE: (takes a seat comfortably in front of Roland) Pineapple's my favourite. (Roland hands her a lollipop) Have you been busy then today my love?


ROLAND: (proudly) Oh it's always busy in my shop, so many customers and new faces coming in and out-

BONNIE: Oooo! I almost forgot. Is the lovely Leighton working today? I can't wait to see him again. The first time in years!

ROLAND: Yes Leighton's working, his first day back today. He's a very good worker is Leighton, he's always been very helpful, ever since he was a little boy. He's just round the back. (calls Leighton to come through to the front) We had a delivery this morning so I told Leighton to erm get the erm stock all stacked on the shelves.

BONNIE: What's he like Roland? I can hardly even remember what he looks like! I bet living down in Kent has really changed him!  

ROLAND: A lovely boy, a lovely boy. It's a shame though. He used to be such a loud, cheeky little fella before. But since he's returned he's been ever so quiet! Probably settling in I guess. 

BONNIE: Why would you move back to Belvedere Road? To this shit hole?

ROLAND: (chuckles) Hmmm.. Oh I can't quite remember now... especially not with my memory, but I remember him saying it was about a certain situation.

Bonnie turns away to put her lipstick on and then turns back around confidently, at the same time as Leighton walks in. She leaps from her chair and pulls up her dress slightly. 

BONNIE: Wow! Leighton! I didn't even recognize you.

LEIGHTON: (hesitates for a moment, doesn't recognize Bonnie for a second) (pauses) Bonnie... Look at you! Five years has really changed you. 

BONNIE: I can't believe it. You're so... different. What happened to the little scruff I once knew? (laughs) You're looking very... smart. 

LEIGHTON: (looks nervous) And you! You look about 20 years old. 

BONNIE: (looks very happy and takes that as a compliment, straightens herself down with hands) You think so Leighton ey? (walks closer to Leighton) I think we should have a little catch-up, me and you! How about it Leighton?

LEIGHTON: Well, yes I guess we coul...

BONNIE: (interrupts) Sorted. Anyway, boys, I guess I will be off for the night. I will be here the same time tomorrow. Bye Roland. 

ROLAND: Ah, goodnight Bonnie. Take care. 

BONNIE: (hesitates and gazes at Leighton as she walks out) Goodbye Leighton. 

Leighton waves timidly as Bonnie leaves. 

ROLAND: (looks at watch) Another day done then Leighton

LEIGHTON: Already! That was a quick first day.

ROLAND: Well time flies when you're having fun and working hard. You will enjoy working here Leighton, you meet all kinds of characters in Roland's shop. Oh.. do you mind if I put the radio on?

LEIGHTON: No, not at all. I love music. 

ROLAND: (Roland struggles to get the radio to work) Ooh this ruddy thing. How’d you work these machines?

LEIGHTON: Here Roland, you just press this.

ROLAND: (radio crackles and begins to play) Ah the cricket’s on! Do you like cricket Leighton?

LEIGHTON: (pauses) The cricket? Well, I guess it's alright... but... well, I haven't listened to it in a while.

ROLAND: Alright?! It’s more than alright! You're not a real man if you don't love the cricket. (Leighton looks down sensitively) Oh, you must be more of a football fan then. Go on, whose your favourite footballer?

LEIGHTON: Errr... My favourite footballer? Now, what’s his name…that one with the... You know... (looks slightly desperate)

ROLAND: (looks a little oddly towards Leighton but chuckles anyway) 

LEIGHTON: Hey! (Leighton runs to end of shop) What was that? Is that a cat? 

ROLAND: (sighs as if it is a regular occurrence) Maisy, Bonnie's cat again. (both shoo cat away) God, I must tell that girl to control her cat. 

There is a short pause. Leighton looks as if he is thinking of a way to bring Bonnie into conversation. 

LEIGHTON: ...Bonnie seems a bit of a character these days. 

ROLAND: These days? She's never changed!..... I think, what she really needs is.. a friend or someone to keep her out of trouble! How about you take her out Leighton? Bonnie's nice enough, although a little crazy.

LEIGHTON: Maybe I will. I guess we could go for food or something. 

ROLAND: Roland knows just the place! Winston's just two streets up the road sells the best fish n chips around. You two would be just the couple! (pats Leighton on back)

LEIGHTON: Ohhhh no Roland, it wouldn't be like that I'm afraid.

ROLAND: (chuckles) You can’t fool old Roland - you must think I was born yesterday. I'm sure you've got your eyes on a few girls, especially at your age too, but Bonnie  is an especially nice girl.

LEIGHTON: (looks awkward and nervous) Haha... Yes... I guess so

ROLAND: And will you be paying?

LEIGHTON: (looks slightly lost) Is that what you're supposed to do?

ROLAND: Oh come on Leighton, I bet you've been on plenty of dates with girls before, you know how to be a gentleman. (there is a pause as he looks at watch) Well boy, as it's your first day here I'll let you get off early, how about that? You have a great weekend now and don't forget to tell me all about Bonnie on Monday! 

LEIGHTON: (laughs nervously) I will. Bye Roland.

Leighton exits. Charlie enters the shop hoping to buy a last minute bottle of Whiskey. He walks a little nervously with his head down to avoid interaction with people. As he enters the shop, he takes off his hat and looks forward to Roland.

CHARLIE: Excuse me there, can I come in?

ROLAND: (sighs a little) Well, we have just closed. But if you're only wanting something small then I suppose you can come in.

CHARLIE: I'd just like a bottle of whiskey please.

ROLAND: (Roland retreats to the back shelf to pick up the whiskey) Yes of course. (pauses slightly, considering slightly whether to make conversation or not) Has it been a long day? 

CHARLIE: Oh you're telling me. It's always a long day at the Steelworks.

ROLAND: Oh right. And how's it going there?

CHARLIE: Yes it's as good as it gets... it brings in the money for me and Claire suppose it has to do. 

BLACKOUT

SCENE THREE: LEIGHTON AND BONNIE AT WINSTONS
Bonnie gets to know Leighton after his disappearance for five years. She begins to get suspicious about his inexperience for normal 'manly' things.

BONNIE: I must say Leighton, I've never seen any other fella on this street take a girl out wearing a bright pink shirt.

LEIGHTON: (looks down nervously, as if he regrets wearing it) (then tries to compose himself) Well, y'know, a lot of the men dress like this down South. Ah, Winstons.

They both stop outside Winstons.

BONNIE: Wow, you've bought me... here? I've never noticed erm... noticed this little place on the corner.

LEIGHTON: I thought you'd like it. I always used to come here as a young boy. And Roland recommended it too.

They enter the restaurant. 

BONNIE: How about we sit next to window ey? How romantic. (They seat, Bonnie sits quite comfortably, swinging her legs etc while Leighton sits quite gingerly) (They skim the menu) What are you fancying then Leighton? Not like there is tooooo much choice in a place like this.

LEIGHTON: Actually, I've heard the fish n chips are lovely -

BONNIE: (interrupts) Well I guess that'll do. (looks smugly at Leighton) And I guess you will be paying for me seeing as we're on a date.

LEIGHTON: I guess I will have to.

BONNIE: That's a real gentleman. (suddenly Bonnie, raises her hand rapidly and waves to the waiter) (she shouts quite loudly with little respect for other customers) Excuse me we're ready to order please!  

WAITER: (Waiter comes to table) What can I get you kids?

BONNIE: (grabs Leighton's hands and takes charge of conversation) So, me and Leighton are going to have: 2 fish n chips, 2 gravies, 2 mushy peas, and 2 still lemonades.

LEIGHTON: I'd like my lemonade with..

BONNIE: Lemon and ice please.

WAITER: 2 fish n chips, 2 gravies, 2 mushy peas, and 2 still lemonades with lemon and ice?

BONNIE: Perfect (Waiter leaves) (Bonnie sits smugly, watching Leighton, as if she is trying to work him out. Leighton notices her stare and becomes self-conscious and awkward) So I was wondering Leighton, have you took many girls out before? I mean, I bet every single girl is after you aren't they.. and even a couple of the boys I bet! (laughs hysterically)

LEIGHTON: WHAT? What do you mean? The boys?

BONNIE: (notices how he has took it seriously) (laughs awkwardly but with humour) I was only joking Leighton, god.

LEIGHTON: (silence, looks down and says timidly) Well, if you must know Bonnie, you're actually the first girl I've ever taken out.

BONNIE: Ohhh you do know how to make a girl feel special don't you! (pause) So have you got any plans for later on then? (she leans forward to get closer to Leighton) It's just because my brothers and father are up at the steelworks tonight so I was wondering if you'd like to keep me company. (smiles)

LEIGHTON: (looks hesitant, before saying quickly)  Well, I suppose I could....

BONNIE: (interrupts) Great it's sorted then. (pause) I think it's time for a cigarette to celebrate don't you? You do smoke, don't you Leighton?

LEIGHTON: (laughs) Yes, course I do.

Bonnie lights cigarette. As Leighton takes a drag, he splutters and coughs, clearly showing he has never touched a cigarette before. 

BONNIE: (looks around the restaurant, almost in embarrassment) (laughs) Are you okay Leighton? you're so funny, you've never touched a cigarette before have you?

LEIGHTON: (embarrassed, tries to laugh it off) Yeah yeah course I have, I just have a bad cough.

BONNIE: (Bonnie shakes her head laughing, before becoming impatient and looking at her watch) (she leans closer to Leighton) We've been waiting a while for this food. Shall I call him over?

LEIGHTON: You don't need to do you..

BONNIE: (ignores this) Excuse me please! How long will the food be? We've been waiting some time.

WAITER: (laughs uncertainly) I'm sure it's only been five minutes since you ordered

LEIGHTON: (reassures a little awkwardly) Just ignore her!

Waiter exits.

BONNIE: Imagine bringing me to a place like this ey? Next time we can go somewhere a little bit more posh?

LEIGHTON: That's if there is a next time!

BONNIE: (opens her mouth in shock, but giggles) Don't play hard to get Leighton. Every boy dreams of taking me out.

LEIGHTON: (he laughs, then silence, then becomes slightly more serious) Just to make sure, we are just coming out for dinner just - as friends aren't we?

BONNIE: Um... well, not really. You do like me don't you Leighton? 

There is silence, before a quick freeze-frame of Leighton and Bonnie as music begins and BLACKOUT

SCENE FOUR: THE BEDROOM SCENE

Leighton's insecurities are finally unveiled to Bonnie.

BONNIE: (they enter, Bonnie kicks her shoes out and takes coat off) What do you think of my house Leighton?! This is my dad's room but like I said.. he's on a night shift tonight. (she smirks towards Leighton)

LEIGHTON: (is beginning to look very uncomfortable, he is struggling to stay composed and stands awkwardly in the middle of room) It's very... (he tries to find the correct 'cool' word to impress Bonnie) dapper

BONNIE: Dapper ey! (laughs) is that what they say down in Kent too? 

She begins to put her lipstick on in her compact mirror. 

BONNIE: Did you think I looked pretty this afternoon my love? 

LEIGHTON: Yeah you did... I like the.... red (points to lips, looks awkward) (he is aware he is struggling to know what to say) 

BONNIE: That's what all the boys say. (turns round to face him) (laughs suddenly) You don't have to be so awkward y'know just stood there, you can feel comfortable in my house you know. Sit down, I will get you a drink or something to eat.

LEIGHTON: No no, that's okay. We've just eaten. I'm feeling slightly queasy actually.  

BONNIE: Take a lie down Leighton if you like. 

LEIGHTON: I'll be okay I think, just standing here.

BONNIE: (giggles) Don't be silly Leighton. Come on, sit down next to me. (gets into bed comfortably, showing no signs of nervousness or inexperience) We can have a chat, listen to music y'know. (proudly) My dad's got his own radio in his room! 

Leighton perches on the end of the bed, in silence with head down.

BONNIE: (laughs hysterically, before grabbing Leighton and pulling him to the top end of bed) Not at the end of the bed silly, I meant next to me. (Leighton looks very uncomfortable and moves rigidly) What's wrong? You seem a bit on edge. You're not scared to be in a bed with a girl are you Leighton? At the age of 19?! (laughs hysterically)

LEIGHTON: (mumbles) I'm not frigid.

BONNIE: Oh really (she sits up from the bed, and turns around to face him) Then why.... why don't you give me a kiss Leighton? (she leans forward intimidatingly)

LEIGHTON: (sits up, desperately trying to change subject) (tries to be compose himself) But... but... why don't we go out somewhere first? 

BONNIE: We've just been out. Come on, don't be scared. It's just a kiss. 

LEIGHTON: Let's just get to know each other a bit more Bonnie.

BONNIE: We've spent all afternoon with each other Leighton! Come on, you don't want me to tell all the boys your frigiiiiiiiid do you? (laughs hysterically) Come on, come into bed with me. (gestures Leighton to get into bed with her)

LEIGHTON: (is becoming distressed) Bonnie. 

BONNIE: I mean if it's to do with us not being married, there's nothing to be afraid of I always keep it a secret.  Andrew never told anybody. And you know, it's more normal than you think. Allll my friends do it. 

LEIGHTON: I think my mum wanted me to get home. 

BONNIE: (begins to get frustrated) Come on Leighton... Can't you see any boy would dream to be in bed with me.

LEIGHTON: I can't Bonnie

BONNIE: You can't?

LEIGHTON: Yes, there you go. I can't.... I can't and I won't. (gets up to leave)

BONNIE: Don't embarrass me. 

LEIGHTON: I can't do this Bonnie. This was a huge mistake. 

BONNIE: A mistake? Who do you think you are? I thought you liked me!

Leighton begins to turn to the door.

BONNIE: What is this about Leighton? (suddenly gasps in shock then begins to hysterically laugh in anger) Are you one of them fucking faggot types or something?

There is a deadly silence. Leighton turns to Bonnie

BONNIE: No. No fucking way. Please say your not. 

LEIGHTON: Bonnie.

BONNIE: Get out my house. NOW! Get out. I'm not having people like you in my house. You've made me look so stupid. Get out you freak! 

Leighton leaves. As this happens, Stu, Bonnie's older brother, storms in, looking around the room wildly. Bonnie is wrapped in a blanket.

BONNIE; (gasps) Stu.. What are you doing here? I thought you were working tonight.

STUART: (slowly but very angrily, almost creepily) You thought you'd get away with it did you? (looking around in disgust, getting very close to Bonnie) (mockingly) Bringing fellas back to the house when daddy and brothers are slaving away at the fucking steelworks. (suddenly shouts, and throws something across the room) YOU FUCKING SLAG

BONNIE: (retreats into herself, becomes quiet and scared) It's not how it looks, I promise.

STUART: WAIT UNTIL I TELL YOUR FATHER ABOUT THIS. 

BONNIE: Stu..

STUART: I WILL NOT HAVE A WHORE AS MY SISTER. COME HERE, YOU LITTLE SHIT. 

(Bonnie tries to hide but Stuart grabs Bonnie by hair)

STUART: DO YOU HEAR ME? I WILL NOT...

BONNIE: (interrupts) STU.. It's not like that. He's...

STUART: HE'S WHAT?

(silence)

STUART: I THOUGHT SO. YOU'RE NOTHING BUT A WORTHLESS SLAG. 

Bonnie screams as Stuart slaps her across her the face and BLACKOUT.

SCENE FIVE: WALL-TO-WALL SCENE
An introductory interacting scene between Bonnie and Charlie, who previously have ignored each other's presence for the past years and know little about each other, even though they are neighbours on a close-knit street. 

BONNIE: (Bonnie looks angry, and is crying, walking round in circles and stomping on the floor. She bangs on the wall, before falling into a heap on the bed and curling up in a ball.)

There is silence, however the spotlight on Charlie shows him become aware of Bonnie's screams and cries and looks slightly concerned.

CHARLIE: (he takes a deep breath, as this is a big step for him and then he taps on the wall nervously) Hello.... Are you alright over there?

BONNIE; (muffled) (looks surprised to hear his voice) What? Who is this?

CHARLIE: It's Charles... You can call me Charlie if you like. I'm the y'now... the quiet neighbour.

BONNIE: (groans) Leave me alone.

There is silence for a while, Charlie is contemplating whether to continue the conversation.

CHARLIE: Who was it shouting over there? Disgusting language. It woke me up.

BONNIE: My brother, Stuart.

CHARLIE: Ah (he nods) Stuart. I work with him up at the steelworks. If it makes you feel any better, I think he's an idiot too.

BONNIE: (she muffles a small but unhappy giggle) My whole family are dickheads. It must be great for you, I never hear one word from your house. You never argue.

CHARLIE: (smiles, as if he is trying to believe it himself) Yes, well, me and my girlfriend have a very happy relationship.

BONNIE: It must be great. To be in love like that I mean (becomes a little annoyed as she finds herself opening up to him)

CHARLIE: We've been together three years this weekend actually. She was a friend of my brother's wife.  We're planning to marry this December. She wants to get married down South. She wants to have two children; a boy and a girl. One day I would like to pay for us to move away from this street. (lighting dimming in and out between each sentence shows progression of time, gives the effect he has been talking for a long time, Bonnie has fallen asleep by this point)

CHARLIE: Is anybody there?

Silence. Charlie then begins to write his letter to his dead girlfriend, reading it aloud. This is a daily routine for Charlie who seeks comfort in reliving memories and writing to his girlfriend in the form of letters. This wakes Bonnie, who sits up looking dishevelled and sleepy but listening to his conversation. It is up to the audience interpretation whether they think  Bonnie finds out at this point that Charlie's girlfriend is actually dead, however she never lets on in the play that she knows. 

CHARLIE: Hi Claire. What a day I had. Another dull day at the steelworks. Made your favourite dinner tonight, bangers 'n mash. It reminded me of you. Oh! You'll never guess. The young girl e silly short dresses and lipstick isn't as bad we first thought. A little crazy, yes but nice all the same. Well... I hope you are doing okay wherever you are. I've thought about you more than usual today. I love you... I hope to see you soon. Goodnight.

BLACKOUT.

SCENE SIX: SHOP SCENE 2
Leighton becomes uncomfortable in Roland's presence as he is questioned on the events with Bonnie. 

LEIGHTON: Morning Roland (Leighton enters the shop, with his head down, looking extremely unhappy and shifty)

ROLAND: Ah Good Morning Leighton, (Roland gets up to shake his hand and pat him on the back) this is what I like to see, you here nice, bright and early. (Roland takes a seat) So are you going to tell me then?

LEIGHTON: (Leighton jumps up desperately, assuming that Roland knows everything) Tell you what?!

ROLAND: Oh me and you have got a lot to talk about haven't we

LEIGHTON: Have we? (He becomes increasingly uncomfortable)

ROLAND: (oblivious to his disconcert) I think you know what I mean

There is silence.

ROLAND: You and Bonnie! Did you take her out to Winstons this weekend? Come on, has the cat got your tongue?

LEIGHTON: (winces, but tries to look happy) Yeah it was really good. Bonnie is erm... one of a kind.

ROLAND: I knew it was a great idea, you two rekindling! You will be the greatest couple on the street, I'm sure!

LEIGHTON: I'm not sure about that Roland. (he sighs in distress) I just think we're very different people

ROLAND: Opposites attract y'know young man! June and I were like chalk and cheese, yet we were married 45 years! (Leighton forces a smile) Anyway, I'm sure you will be happy to know young Bonnie will be coming in later on so you lovebirds can talk more then. -

LEIGHTON: What?! (Leighton drops a box of stock)

ROLAND: Oh bloody hell Leighton! That's fresh stock. (sighs, shakes his head, stands in shock) What's up with you? You've gone pale as a ghost.

LEIGHTON: Sorry, I will get it cleaned up right away.

ROLAND: I know it's only your second shift young man, but we can't open up shop when you're throwing everything around. (Leighton shakes his head, annoyed at himself) That reminds me, I'll be closing an hour early today. Dr. Hansen is paying me a visit. Leighton, can I trust you to take over the shop for the last hour?


SCENE SEVEN: DR.HANSEN VISITS ROLAND
A check-up on Roland's health results in the diagnosis of his Alzheimer's which will affect Roland's position on the street. Dr. Hansen is introduced, and his aura of a more middle class is presented through his posture, movement and accent. 

Doctor’s Home Visit – Mark and Roland

ROLAND: Ah morning Mark, nice to see you again.

MARK: Morning Roland, are you feeling any better today?

ROLAND: Slightly, however my memory seems a tad all over the place at the moment. How about a cup of tea?

MARK: If you are offering, yes please. Milk and two Sugars please

Roland stands to make cup of tea.

MARK: (calls over to Roland) So Roland, I’ve got a little questionnaire I’d like you to fill out if that is okay with you.

ROLAND: Ah I do love a good quiz

MARK: Well, (sniggers a little) It’s not that type of quiz Roland

ROLAND: Two cups of tea, Milk, No Sugar

MARK: Thank you Roland (Mark presents a range of documents, they are both seated across from each other quite formally) so now for the questions. Do you often repeat yourself or ask the same question over and over?

ROLAND: (Roland thinks about it steadily) Yes

MARK: Do you seem more forgetful?

ROLAND: Well yes, (nods his head slowly) I have been forgetting things more.

MARK: Do you need multiple reminders to do things you used to do on their own, like chores, shopping or taking medication?

ROLAND: Yes, June always used to get on at me for that. I've always been a little bit like that you see, but more so since her death.

MARK: Since her death (writes this down) Do you repeatedly forget important appointments, family occasions or holidays?

Roland nods.

MARK: Do you seem sad, down in the dumps or prone to crying more often than in the past, and without any apparent reason?

ROLAND: I like to think I'm a happy ol' chap but yes... Sometimes I do feel this way.

MARK: Do you have trouble doing routine calculations, managing finances or balancing a cheque book?

ROLAND: In recent months, I've been struggling a little with the shop finances. But a young man called Leighton is going to help me with those now.

MARK: I see I see. Roland, are you struggling to perform regular activities such as eating and dressing? This is important to know for a diagnosis.

ROLAND: I guess I am (looks down sadly) I'm struggling living alone these days.

MARK: The final question and possibly the most important. Do you have trouble finding words, finishing sentences or naming people or things?

ROLAND: (nods slowly) What does this mean Dr?

MARK: From your questions, you seem to be suffering from Alzheimer’s... Alzheimer’s is caused by some sort of damaged to the cells in your brain and is the most common form of Dementia. Alzheimer disease is a neurodegenerative disease which means it causes the degeneration or loss of neurons in your brain.

ROLAND: (looks slightly lost and confused) I'm grateful for you explaining it Doctor but what does it mean for me? What about my memory loss, how can I stop that? (exasperated, raises hands) I’m forgetting everything

MARK: (looks sad, but has to stay professional) Well over the next few month your condition will deteriorate even more and you’ll continue to forget information about your life, from the small everyday things to be life events.

ROLAND: But surely there must be something to stop it, I mean all these new medical marvels, surely you’ve got something for it

MARK: There’s no easy way to say this Roland but Alzheimer’s is a neurodegenerative disease which means the cells are slowly breaking down and there’s nothing we’re able to do to prevent it. I’m sorry Roland but the cell will deteriorate to the point where you’ll become too weak and slowly the cells will stop functioning. I’ll do everything I can to make sure you’re comfortable in the coming months and I’ll help you to the very end.

Roland is silent, which is unusual for him but highlights how he acknowledges information. Mark senses this and tries to lighten the mood. 

MARK: Now about that cup of tea? Milk and two sugars this time eh?

SCENE EIGHT: LEIGHTON TAKES OVER SHOP
An awkward encounter with Leighton and Bonnie enhances Leighton's anxiety and Bonnie's dismissal of who Leighton is.

BONNIE: (shakes down umbrella) Fucking awful weather isn't it Rol -

Bonnie realises it is Leighton behind the counter.

BONNIE: Oh Leighton. It's you.

LEIGHTON: (Leighton looks distressed, and extremely uncomfortable) Yes.

BONNIE: Cigarettes. I've come for my cigarettes.

LEIGHTON: (hurriedly turns to the shelves, things drop to the floor from the counter) Yes. Cigarettes of course.

Leighton hands Bonnie the cigarettes, to which she grabs them and begins to turn away.

LEIGHTON: (hesitantly) Are you not going to pay for those?

Bonnie stops in her tracks, and goes silent before turning slowly and walking slowly towards the counter, getting close to Leighton. 

BONNIE: I'm sure you will be happy to know Leighton, that I've got a lovely, beautiful, charming new boyfriend. Andrew he is called.

Leighton looks exasperated in the corner. He is nervous that she is going to expose him.

BONNIE: He's really perfect. He smokes, he's manly, named Andrew and he's told me he's going to take me to the most expensive resturaunt in Sheffiel -

LEIGHTON: (interrupts) Bonnie, do you have to -

BONNIE: Yes, I do have to Leighton. I want you to know, that that little mishap on Friday night hasn't fazed me.

LEIGHTON: But -

BONNIE: He's truly amazing honestly.

LEIGHTON: Can't we just be -

BONNIE: We could never be friends again Leighton. It's over. (slams money on counter)

LEIGHTON: (calls to Bonnie as she walks away) I just needed a friend!

BLACKOUT.

SCENE NINE: OUTSIDE HOUSE WITH CHARLIE AND BONNIE
Developing relationship between Charlie and Bonnie as neighbours. Bonnie is seated upon the wall outside her house, smoking a cigarette. Charlie exits by his front door. It is late at night..

BONNIE; Oh, it's you. (points to Charlie)  What are you doing at this time of night?

CHARLIE: (timidly, possibly regrets opening up to her) (bluntly) It's my night shift up at the steelworks.

BONNIE: Oh yeah. (as he walks away) Hey! I have a bone to pick with you anyway. Who do you think you are, ey, keeping me awake until all hours the other night? I woke up to your dreary voice, and I swear you were talking then for hours and hours. I've never heard so much noise come from your house.

CHARLIE: (sighs) If you must know, I was writing my wife a letter. It helps me to think y'know, by reading out loud.

BONNIE: (scoffs) Ha! Okay then! Writing a letter ey? How come, where is she?

CHARLIE: On holiday. Blackpool for the week. I can't wait until she comes back.

BONNIE: It's funny. You've lived on this street nearly all my life and I've never once seen your girlfriend. Weird.

CHARLIE: She likes to keep to herself. We live happily together, just me and her.

BONNIE: Very strange. Well, I guess you're a bit strange yourself, I mean I don't see you out and about much either. You seem very suited for each other.

CHARLIE: Oh yeah.. We are. Perfect for each other. Anyway (takes cap off to say goodbye) I will be off miss.

BONNIE: Night then weirdo. What's your name did you say?

CHARLIE: My name's... (struggles to introduce himself due to his social issues) Charlie.

Bonnie nods. They both walk away from each other. Before they both exit, Bonnie calls.

BONNIE: The name's Bonnie. Bonnie Willis.

BLACKOUT.

CALENDAR IS SHOWN ON SCREEN. THIS SHOWS TIME PROGRESSION.
This shows the audience the following scenes are a fast-forward to a two month advancement. This means characters have had time to develop, events can take place etc. 

SCENE TEN: ROLAND'S DETERORIATION
This is where we see that Roland's Alzheimer’s has progressively gotten worse and his health has deteriorated even more.

Mark walks into the shop, he goes over to a shelf and picks up a loaf of bread and a bottle of wine.

MARK: Evening Roland, thought I'd pop in and check up on you on my way home. So how have you been feeling.

Mark walks over to the counter and sits on a stool that placed just to the side of the counter.

ROLAND: Ah evening Charlie, I mean Mark. I'm fine, starting to forget things more often but I'm sure there's a way you can help me with that.

MARK: I'm afraid not Roland, like I explained your health and memory will keep deteriorating to the point where you're body will no longer function properly. I'm really sorry Roland but there's nothing we can do. 

ROLAND: Oh, yes, now I remember you, erm, saying something like that. So is this it? Is this how I'll be from now on?

MARK: I'm afraid so yes, but don't worry! You've got Leighton around to help you! I don't expect him to be leaving you in the dark anytime soon.

ROLAND: I know but this is my shop, Roland's shop! Everyone knows me and I know everyone. What happens to it when I'm gone?

MARK: Well maybe Leighton could take over? He's a hard worker that boy, always seem him working hard whenever I come in. Where is he by the way?

ROLAND: Oh Leighton, I let him leave early, we were quite and he'd been working hard all day so I thought I'd let him leave a bit earlier. 

MARK: You're too good to him Roland aha, anyways I must get going, the wife is cooking a lovely Sunday dinner and I can't be late for that!

Mark stands up and gets ready to leave.

ROLAND: Oh aha, of course not Charlie, so what are you buying today?

MARK: Just a loaf of Bread and a bottle of red wine. 

ROLAND: Ok, so that'll be... Erm... Just give me a minute...

Roland begins to look confused and looks around the shop and he can be seen struggling to count.

ROLAND: That'll be 1 and 6 pence

Mark hands over the money to Roland and begins to leave.

ROLAND: But what about your change Charlie, I mean Mark.

MARK: It's fine, keep it! I must get going, I'll pop in tomorrow after work to check up on you again. 

ROLAND: Ok, I'll see you tomorrow Mark.

Mark leaves the shop and Roland walks over to lock the door behind him.

BLACKOUT.

SCENE ELEVEN: BUSKING SCENE 

This is where we see Charlie busking in the street and Dr. Hansen stops to talk to Charlie.

 

MARK: That's actually pretty good chap, here (Donates Charlie some money).

CHARLIE: Thanks, first donation today.

MARK: Really? How come?

CHARLIE: Don't know, guess your the first person who doesn't mind listening to poor bloke playing guitar, ha.

MARK: Excuse me for asking but have I seen you before?

CHARLIE: Don't think so, sorry.

MARK: Do you know someone named Claire Ferris

CHARLIE: Yes. She is my wife.

MARK: She is?

CHARLIE: Yeah. Today next week will be our 3rd anniversary.

MARK: Oh, that's nice, I'm Mark by the way.

 

CHARLIE: Charles, everybody calls me Charlie

 

MARK: Tell me how you met.

CHARLIE: Care to sit down (Mark sits down), 5 years ago I went to visit my brother John in London as he was getting married, and I met her due to her being a friend of John's wife. It was basically love at first sight as we kept writing and sending letters to one another. It lasted a year when she asked if she wanted to  live with me. I told her my address and a month later she was on my doorstep. It will then be another year when I asked her to marry me, and trust me, after that ceremony, it has been the best years of my life.

MARK: Now I've heard about this story, I believe she was a patient of mine. Didn't she have a illness last year.

CHARLIE: Your Dr. Hanson aren't you. There's no point keeping this act up any longer. Last year she got diagnosed with a Brain tumour. When she was in the hospital I kept coming in everyday to see if she will get any better. Then one day I came in, one of the nurses came in to tell me she passed away over night.

MARK: I'm so sorry, I don't believe there was anyway to remove it without damaging her brain.

CHARLIE: It's alright, I don't blame anyone for trying.

MARK: If I may ask, why do you act as if she is still here.

CHARLIE: I don't want to be alone. My mother's is sick, my brother is raising a family, and I'm just a man that works in steelworks. Claire was the only person that made me feel like I had importance, like I can accomplish something in my life. I miss her so much. I still have trouble imagining a future for myself without her in it. If you don't mind I would like to be alone for a while.

MARK: Here, have some extra

Mark walks off leaving Charlie on his own.

SCENE TWELVE: BONNIE IS QUESTIONED BY LEIGHTON
Bonnie and Leighton are walking on the footpath unaware they are walking towards each other. They both walk past one another and Leighton becomes very anxious, he grabs Bonnie's arm to talk.

LEIGHTON: Bonnie, please.

BONNIE: What? Leighton. (shrugs him off)

LEIGHTON: Why are we doing this? I don't understand how this has ended up so... bad.

BONNIE: I don't know Leighton, you tell me! Go on... Tell me.

LEIGHTON: Bonnie! Just stop this PLEASE! Why do you keep doing this?

BONNIE: Stop what! Tell me what I need to stop Leighton, say it.

LEIGHTON: Look... I'm sorry. I... Have... Have you told anyone about it?

BONNIE: What... No... Of course not. I'm not that bad am I?

LEIGHTON: Well.. You are....

BONNIE: Leighton. You don't want to be around me at the moment, all I do is cause trouble and I don't want you to get caught up in it. Alright.

LEIGHTON: What sort of trouble? When has trouble ever stopped me being your friend (laughs) It can't be that bad surely.

BONNIE: Just stay away from me for now... Please.

LEIGHTON: No Bonnie. We were best friends. You are my best friend. I can't just sit by and leave you to it. I'm here for...

BONNIE: Leighton! Right... (coughs)... Listen... Umm... I'm... (stutters) sorry about what's...

LEIGHTON: Sorry... (shocked) Sorry, just never known you to say sorry... Bonnie? This isn't like you... Are you okay?

BONNIE: Yes I'm fine, just a little under the weather... gosh Leighton you don't have to look at me like that its only the common sickness.

LEIGHTON: You're just so... empty. You don't seem yourself, not in the slightest. You could be at death's door and you'd still be kicking up a ruckus or causing mischief. Something else is wrong Bonnie... you can tell me Bonnie...

BONNIE: Anyway. (walks over to Leighton and hugs him) I'm sorry. We can be friends just leave me to it.

LEIGHTON: I'm always here for you Bonnie, remember that.




SCENE THIRTEEN: ROLAND AND BONNIE IN SHOP
Bonnie enters shop for the first time in two months. She shows sign of change, the idea that she is pregnant may be interpreted by the audience.

ROLAND: Bonnie, is that you?

BONNIE: Hi Roland. It's been a while I know.

ROLAND: I've been a little bit worried my love. It's not like you to miss out on coming and visiting Roland.

BONNIE: I've been... busy.

ROLAND: Ah I know what it's like being young. Always got something to do.

ROLAND: Well, come on. Have a sit-down. I'll make you a cup of tea and we can have a chat. How's the... erm... did you say you had a boyfriend? What was his name now? Alan... Arthur?

BONNIE: Andrew. He's great. (smiles hesitantly) Absolutely great. I can't stay to talk I'm afraid though Roland, I've got somewhere to be.

ROLAND: Are you off to meet the lad now then?

BONNIE: Oh no, I've got a... erm.. doctor's appointment actually.

ROLAND: Ohhhh have you love? What's been the matter?

BONNIE: Nothing... nothing. Just had a little belly pain that's all.

ROLAND: (gets up) I know just the thing for that!

BONNIE: No don't worry Roland. I don't even have the change.

ROLAND: No no I must. I don't want to see Bonnie down... You don't really seem you're usual self love.

BONNIE: I'll be okay. Don't worry about me. (begins to leave) Anyway, I best be off Roland. I hope your doing well.

ROLAND: Alright love. I'll hopefully see you soon.
 

SCENE FOURTEEN: PREGNANCY SCENE

Bonnie goes to see Dr. Hansen about the possibility of being pregnant.

Lights come up and we see Bonnie and Dr. Hansen sat together.

MARK: Hello Mrs. Willis, I'm Dr. Hansen and I'll be helping you with anything that I can. So on the notes that have been passed onto me says that you're concerned you might be pregnant!

BONNIE; It's Bonnie! Not Mrs. Willis and Yeah, I think... I mean... its... Yeah.

MARK: Ok Bonnie, well don't worry, us doctors are here to help. Now lets just start with a few routine questions.

Mark flicks through his folder to get to Bonnie's notes.

MARK: Ok, lets start shall we. When was the last time you menstruated?

BONNIE; It must be at least 8 weeks.

MARK: How many times have you practiced unprotected sex?

BONNIE; Only one.

MARK: Are you sure?

BONNIE; (angry) Of course I'm flipping sure, don't you think I'd realise!

MARK: Ok ok, no need to get defensive now Bonnie.

BONNIE; Well don't ask stupid questions like that!

MARK: Ok, lets just carry on please. When was the last time you had unprotected sex?
BONNIE; About 2-3 months ago.

MARK: Well from what it sounds, you could be right, you might be pregnant. I'd like to be sure by booking you in for a pregnancy test if that's ok?

BONNIE; Yeah sure, whatever

MARK: Ok, we'll I'll let reception know and they'll contact you with the details. Have you told your Husband?

BONNIE; I'm not married.

MARK: Well your fiancé or boyfriend?

BONNIE; Look I'm not with anyone ok!

MARK: Well on your records it states that you're 16 and without a stable marriage or relationship, we do have to contact your Next of Kin if we can't contact you.

BONNIE; You know, it's probably nothing, it doesn't matter about the test.

Bonnie jumps up and rushes out of the doctor's office.

SCENE FIFTEEN: DRUNKEN ENCOUNTERWITH BONNIE AND CHARLIE

BONNIE: How could I be so stupid? (hands in arms, looks upset)

CHARLIE: (enters) Well, if isn't Bonnie. What are you doing here this late at night? (walks past) You should be tucked up in bed.

BONNIE: What does it look like? (lifts cigarette)

CHARLIE: I see. Calling it a night anyway. Goodnight.

BONNIE: (stare at bottle) Hey, what's that in your hand?

CHARLIE: Whisky... You look like you could do with a sip.
(Bonnie snatches whisky and takes big gulp) Hey, hey, hey, don't drink it all. I need this more than you.

BONNIE: I have reasons to drink, unlike you. You have a nice peaceful life.

CHARLIE: It's not always what it seems, young lady. Anyway you shouldn't be drinking for a girl your age.

BONNIE: (sighs) I'm sick of people telling me what I can and can't do. I'm 16. Basically an adult. I drink my Dad's alcohol alllll the time. Let's have another sip.

CHARLIE: (hesitantly) As long as you don't tell your mum.

BONNIE: (chuckles awkwardly) You don't have to worry about that.

(pause)

CHARLIE: (shrugs) You should enjoy life while you're young you know.

BONNIE: How could I possibly enjoy anything living here on Belvedere Road?

CHARLIE: As you get older, you have no idea what life can throw at you. (Bonnie nods) I'd love to leave this place.

BONNIE: Then why don't you?

CHARLIE: (looks back at house) I have a lot of attachment to this house. A lot of memories, happy times.

BONNIE: It's just a... house. How are you supposed to move on with your life clinging onto the past. I'm going to move far, far, away from this place. I have to leave.

CHARLIE: (is silent for a moment before looking back to the house) You have to?.

BONNIE: (turns to look at him) Yes. I have to. I don't belong here anymore.

CHARLIE: (pause) Well, good luck to you. I'll be off now. (begins to turn away, then turns back)

BONNIE: Goodnight.

CHARLIE: You're right though Bonnie... about... moving on from the past. I'll think about what you've said.

Charlie leaves. Bonnie sits and cries as BLACKOUT.

 

SCENE SIXTEEN: CHARLIE LEAVES BELVEDERE ROAD
Charlie sits on his bed, pondering what Bonnie has told him. He looks around the room, before beginning to write his last letter to Claire.

CHARLIE: Claire, it's Charlie. I need to write to you today as it's important I tell you that I will be absent for a while. I have decided that I am going to move away. It is just a house after all. There is nothing left for me here but the beautiful memory of you. I have had such great times with you. I will treasure those thoughts for as long as live. It's time to move on. From this room, from this house, from Belvedere Road. But I will never forget you. I love you Claire. Goodbye my love.

Charlie gets up from the bed, before picking up his bags and walking towards the door. Before he leaves, he turns to take one last look at the room. He shakes his head slowly, before walking up the stairs and exiting the stage for the last time.

SCENE SEVENTEEN: LAST SCENE IN ROLAND'S SHOP
Leighton and Bonnie reunite in shop. The climax of the storyline comes to a close when Leighton and Bonnie decide to protect each other. While this happens, we understand Roland's undeniable weakening, it is evident he is close to the end. It ends in a happy way.

BONNIE: Afternoon you two. (quietly as she enters, she nods at Leighton a little awkwardly)

ROLAND: Good afternoon June (Leighton says it at same time)

LEIGHTON: Afternoon (still bit awkwardly)

BONNIE AND LEIGHTON: June????? (look at each other shocked)

ROLAND: (looks lost) Yes. June, my June.

BONNIE: Roland. It's me. Bonnie. Bonnie Willis.

ROLAND: Who's Bonnie? June. June. (points)

LEIGHTON: Come on Roland. (pats on back) This is Bonnie. How about you go next door into the kitchen and have a sit down ey?

ROLAND: (is reassured and taken into the kitchen)

Leighton returns to Bonnie crying.

BONNIE: Life's so unfair isn't it? I've known Roland all my life and now he looks at me as a stranger.

LEIGHTON: Bonnie? Are you crying? You never cry.

BONNIE: It's just so cruel Leighton. Life is so cruel... Having to see Roland like this and then there's.. there's...

LEIGHTON: There's what?

BONNIE: Well... (splutters) there's something else as well!

LEIGHTON: (quietly) Go on Bonnie. Tell me. What's been going on?

Bonnie falls silent.

LEIGHTON: What is it?

Silence

LEIGHTON: Bonn..

BONNIE: I'm pregnant Leighton.

Leighton is completely shocked and taken aback.

LEIGHTON: What? How? With Andrew? What has he said?

BONNIE: (laughs in anger and sadness) He's left me Leighton.

LEIGHTON: Oh Bonnie.

BONNIE: I've got nothing. Nothing. I'm going to have to run away. I can't go home. I was coming to the shop today to say goodbye to you both. You won't see me again.

LEIGHTON: No, I won't let that happen. You can't just leave. Belvedere Road is your home.

BONNIE: What am I do Leighton? I'm not even married. I'll be beaten to death.

LEIGHTON: There must be something you can do! You'll die out on the streets alone with a baby.

BONNIE: I'll be gone tonight Leighton. Before my Dad gets home from work.

LEIGHTON: I won't let this happen. God, if I could marry you right now I would. Just to save...

BONNIE: (interrupts) What?

LEIGHTON: Yes.... I would. I would marry you. Let me marry you Bonnie. We will be happy together, living together. I will take care of you. And your baby.

BONNIE: What? But you're...

LEIGHTON: What kind of life is hiding behind closed doors in isolation to protect myself from who I am? Scared to walk out on the streets alone for fear people will know my secret? This will save us both Bonnie. We will marry, live together, look after each other as best-friends.

BONNIE: OH Leighton! Yes!

Roland returns to Leighton and Bonnie embracing, Bonnie still crying.

ROLAND: Bonnie, Bonnie, whatever is the matter my love?

BONNIE: Oh, Roland. How are you feeling? I'm crying with happiness. You see, Leighton and I have some exciting news for you.